Who Was/Is Lazarus Long?

You might wonder at the title of this blog - a blog I haven't spent much time on at all - and ask yourself, "Who the hell is Lazarus Long?" That's a good question!

Wikipedia puts it this way:

Lazarus Long is a fictional character featured in a number of science fiction novels by Robert A. Heinlein. Born in 1912 in the third generation of a long-life selective breeding experiment run by the Ira Howard Foundation, Lazarus (whose birth name is Woodrow Wilson Smith) turns out to be unusually long-lived, living well over two thousand years with the aid of occasional rejuvenation treatments.

His exact (natural) life span is never determined. In his introduction at the beginning of Methuselah's Children he guesses his age to be 213 years old. Approximately 75 years pass during the course of the novel, which ends with the first form of rejuvenation being developed. However, because large amounts of this time are spent traveling interstellar distances at speeds approaching that of light, the 75-year measurement is an expression of the time elapsed in his absence rather than how much time passed from his perspective. At one point, he estimates his natural life span to be around 250 years, but this figure is not expressed with certainty. Heinlein acknowledged that such a long life span should not be expected as a result of a mere three generations of selective breeding, but offers no alternative explanation except for letting a character declare, "A mutation, of course—which simply says that we don't know".

To my way of thinking, as a reader of the works of Science Fiction Giant Robert A. Heinlein, Lazarus Long was something of an alter-ego of Heinlein's. Beginning with "Methusleah's Children, Heinlein used the Lazarus Long character in five of his novels. Long also appears, in differing guises, in many of Heinlein's short stories.

Writers often use their characters to let out some of their own hidden thoughts and feelings, their loves and hates, their dark sides that they would not reveal in public. I think Lazarus Long became just such a tool for Heinlein.

So popular a fictional character is Lazarus Long among Heinlein afficianados that "The Notebooks of Lazarus Long" was published (1978), filled with Long's catch-phrases and opinions. You can almost see Heinlein peeking around the edges of the pages as you read them. Some are funny, some make you shake your head, and others get you thinking. A few of them:

Always store beer in a dark place.

By the data to date, there is only one animal in the Galaxy dangerous to man--man himself. So he must supply his own indispensable competition. He has no enemy to help him.

Men are more sentimental than women. It blurs their thinking.

Certainly the game is rigged. Don’t let that stop you; if you don’t bet, you can’t win.

Any priest or shaman must be presumed guilty until proved innocent.

Always listen to experts. They’ll tell you what can’t be done and why. Then do it!

Get a shot off fast. This upsets him long enough to let you make your second shot perfect.

Lazarus Long is an exciting, fun, manly, flawed character, long-in-tooth, ever a naughty boy, and forever bound by his own personal code of honor and decorum. And I think Heinlein lived a little through Long's character.

In any event, Lazarus Long, flaws and all, is one of my favorite fictional characters. Why not pick up a copy of Heinlein's works and see how much fun Science Fiction can be in the hands of a Master?

Note: Jerry Parker has an interesting article on Lazarus Long here. He finishes the article by saying,

"It is clear that Robert Heinlein loved this character and enjoyed manipulating him, just as Lazarus enjoys manipulating those around him. Just how much of Heinlein is actually embedded in Lazarus we'll never know. I believe that, in "The Tale of the Twins That Weren't" and "The Tale of The Adopted Daughter," stories contained within Time Enough For Love, and which deal with defining love, we see an attitude towards love of one's fellow man that is more Heinlein than invented. As for me, Lazarus Long lives and strides between the stars. Supreme in the knowledge that life can end at any moment, he shouts, 'Everything in excess! To enjoy the flavor of life, take big bites. Moderation is for monks.'"

Lazarus Long Books at Library Thing

A Star Who Fell

On August 26, 1961, in a small Los Angeles apartment reportedly strewn with empty vodka bottles, a woman was found dead. Her death was attributed to an alcohol-induced heart attack. Looking middle-aged due to the effects of years of alcoholism, the woman was a mere 36 years old. She had been an actress once, a woman of rare beauty whose stage-fright and overwhelming shyness had led her to still her nerves with liquor. She was Gail Russell.

Here, a confession: I fell in love with her the very first time I saw her on the big screen (actually the little T.V. screen, but you understand, I'm sure), and she remains one of my favorite film stars.

I first saw Gail Russell in a John Wayne film called, "Angel and the Badman", a western with such film luminaries as Harry Carey Sr, Bruce Cabot, and John Carradine. She was the most beautiful woman I think I had ever seen. She had a delicacy of look and movement that was captivating, a sweet voice. What I didn't know was that her delicacy was not an act. Gail Russell was fragile woman, already falling apart from her growing reliance on alcohol to steady her nerves.

Russell was a Chicago girl, a Windy City native until the age of 14, when her family moved to Santa Monica, California. No 'pretty face' alone, Gail was an above-average student. But she was, indeed, a pretty face, too. So pretty that upon her graduation from Santa Monica High School, Gail Russell was signed to a contract by Paramount Studios. She was painfully shy and had no acting experience, but she photographed well enough for Paramount to offer the standard seven-year contract.





There was about her a sweet quality, a girl-next-door aura, that belied a natural acting talent and hid her problems. On-screen, this young woman had little of the power of Joan Crawford, none of the blatant dangerous sexuality of Jane Russell. Those things were not her screen persona. And they were not a part of her private personality either. Privately she was insecure, frightened, depressed. For her alcohol became the crutch, the prop, the confidante. And alcohol betrayed her, as it will do to anyone who relies on it for answers.

From Newt's John Wayne Site:

"John Wayne had been made a producer at Republic. This was how Herbert Yates, head of the studio, placated his superstar as he watched him being courted by the other studios. James Edward Grant, who now began a long association with Wayne, was to write the screenplay of the first John Wayne production for Republic, he was also to direct it. Gail Russell, a voluptuous young actress with dark hair and an aura of powerful grace played the Quaker girl who converts John Wayne, a gunfighter and criminal, to a peaceable life. She may or may not have converted him to other activities as well. Wayne did not want to play Quirt Evans. He tried to get Gary Cooper and Randolph Scott but they had other commitments, so he had to do it himself.


During the filming of Angel and the Badman , Duke's young co-star developed a full-blown crash on her leading man. Duke tried to help her as he had helped other novices, by being gentle, patient, and kind. He loaned her the down payment on a car while she waited to collect her first check. When he realized she'd fallen in love with him, he asked his secretary, Mary St. John to "set Gail straight. Make sure she understands how I feel, but do it gently," he said. "The poor kid's having a tough time." Within a few months she had recovered from her school girl crush and married someone else. She and Duke remained friends and they co-starred in Wake of the Red Witch in 1949. She was a raven-haired beauty whose fragile appearance mirrored an even more fragile psyche. She started every day's shooting weak with terror, throwing up in her dressing room before appearing on the set. Like many other performers over-whelmed by stage fright, Russell began to find courage in a bottle.


John Wayne's wife at the time was, Esperanza "Chata" Bauer, a former Mexican actress. She convinced herself that Duke and Russell were having an affair. The night the film Angel and the Badman wrapped there was the usual party for cast and crew, and Duke came home very late. Chata was in a drunken rage by the time he arrived, and she attempted to shoot him as he walked through the front door. As the bullet whizzed past his head he suddenly saw Chata as she really was, not as he'd hoped she'd be. Instead of marrying the heroine of his romantic fantasies, he realized he'd married the woman whom Ray Milland had labeled, "a Mexican whore."

The next day Chata begged him to forgive her. She swore she would change, stop drinking, and start acting like a real wife. She spent the following week weeping and moping around the house. Duke was helpless in the face of all those tears, so he agreed to a reconciliation. Chata kept her promise as long as she could. Then her old habits reasserted themselves and she began to drink heavily with her mother, who lived with them. Duke banished Chata's mother to Mexico, sobered his wife up, and asked for a divorce. Chata turned on the tears again. Now the marriage had a pattern, one Duke couldn't seem to break. Chata would go on a binge, she and Duke would fight, they'd make up, and Chata would celebrate their reconciliation by having a few drinks and then a few more, and the whole cycle would begin again.

Like so many of his pictures Wake of the Red Witch had off-screen implications even more dramatic than the film story. When Chata found out that his co-star was once again to be Gail Russell, one can imagine that the stormy seas on the home front matched or exceeded those threatening the ship Red Witch on the screen. Looking at Miss Russell's delicate beauty, it is easy to believe that in the story she becomes fatally ill and welcomes death as a release from a tormented marriage. It is not as easy to accept that, in real life, she was even then caught in the throes of personal uncertainties and demons that would lead to her death from alcoholism in 1961."

The sad thing about her is that she had talent, and the promise of a great film career. And lost it to an addiction; an addiction she did not choose, nor probably grasp until it was too late. Her fight to free herself failed. She made too few films to be ranked among the greats of Hollywood. I prefer to remember Gail Russell as a Star, one who fell hard, and disappeared. The loveliest actress to ever grace the screen.


Gail Russell: Sep. 21, 1924 ~ Aug. 26, 1961

Out In Space ...

... you will find all manner of amazing sights. Images photographed by the Hubble Space Telescope are at times gorgeous, at times awesome, at times almost frightening. Such is the majesty of The Creator's Universe.

Thus, the Crab Nebula:

Click on the image to be taken to a larger version. Do it!

Then, there's always the "Galaxy Pair NGC 4414" also photographed by the Hubble:



Again, click on the image to see a bigger version. A good start, eh?

And if there was such a thing in Space as an exploding cigar, would this be what it looked like? This is the galaxy Messier 82: